When that happened, I needed some time to think about it, but generally speaking it wasn’t a difficult process.ĪKANE, what’s your approach when it comes to drumming?ĪKANE: During COVID, when we weren’t able to perform, I practiced really hard every day, focusing on the basics. Sometimes when I played it for KANAMI, she’d come back with some requests. MISA: Whenever I got a demo from KANAMI, I would immediately start thinking about the bass line, and usually I’d have written it by the end of the day. MISA, what approach did you try to use when you created your bass lines? I think that’s proof that our music is constantly moving forward. Even if I try to make a song like our older songs, the finished song doesn’t come out the same. But, that said, our sound has evolved, and it’s definitely a modern BAND-MAID song. The fifth song, “I’ll,” was written to feel like the kind of music we played a lot when we debuted, and there’s some interplay between me and Kobato. SAIKI: We also wanted a song with the feel of past BAND-MAID songs, like “DOMINATION,” “Choose me,” and “Moratorium,” so she wrote one. I think you can hear that in the guitar lines of our songs. When I’m frustrated or annoyed, the songs I write have an extra edge. I always try to take advantage of the frustration and annoyance I feel. SAIKI: The pent-up frustration that came from not being able to perform because of COVID, right? KANAMI: ……the pent-up anger that’s always building up in me?
KANAMI, as the main songwriter, what kind of emotion did you pour into these new songs?
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